Interview

Artist Richard Harding explains how ‘Spin me Out’, the latest iteration of his ‘Pinkwashing’ project, connects with previous exhibitions. ‘Pinkwashing’ is at Bundoora Homestead Art Centre until 3 March.

Featured artist Lisa Sewards discusses her contribution – among 50 other artists, with 200 works – to the ‘Editions 2019’ show, the annual print-focused gala event at Tacit Galleries in Collingwood. Opening tomorrow, Wednesday 13 February, 6.30-8pm, and show on until 24 February.

Curator Brenda L. Croft discusses the exhibition Still in my Mind at Charles Darwin University Art Gallery.

Gary Shinfield entered a collaborative space with his latest body of work. On show at Art Space, 2 Small St, Willoughby, NSW, 18 April-6 May.

Jane Giblin explores White Australia and land in her coming show The Earth Muzzle at Colville Gallery, 91A Salamanca Place, Hobart, opening April 27.

Katie Glaskin discusses her paintings and linocut prints drawing on historical images of thylacines to explore themes of loss, endangerment and extinction.

Weaving and printmaking go together in the work of Peter Ward. Interwoven is at Firstation Print Studio April 4-21

Gary Shinfield entered a collaborative space with his latest body of work. On show at Art Space, 2 Small St, Willoughby, NSW, 18 April-6 May.

Jason Smith, Geelong Art Gallery director, reflects on the work of Jörg Schmeisser (1942–2012) an influential and critically acclaimed master printmaker.

Lisa Sewards explores her continuing engagement with parachutes and jellyfish opening at fortyfivedownstairs, 45 Flinders Lane, Melbourne until 17 March.

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