October 2021

In a new series of articles, we interview the PCA’s 2021 Print Commission artists about their working spaces.

Jenny Kitchener discusses her new exhibition Seed in the context of her deep interest in pollination and her previous work on the subject.

In a new series of articles, we interview the PCA’s 2021 Print Commission artists about their working spaces.

Melissa Smith’s new body of work, Without a Sound, explores the rich environments of Lake Sorell in central Tasmania, writes IMPRINT Editor Andrew Stephens.

In a new series of articles, we interview the PCA’s 2021 Print Commission artists about their working spaces.

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