IMPRINT magazine

IMPRINT makes excellent reading. It provides information for the well-informed arts professional, as well as those developing an interest in works on paper. Published quarterly, each edition is full of news and information which is of vital interest to the artist, student and collector. Exhibition reviews, details of awards and competitions, critiques of current print media practice, profiles of contemporary artists, research material and technical matter are all included. Join the PCA to receive a subscription to IMPRINT and you'll also receive entry forms to some of the current awards and competitions available to artists.

Back issues are available at $10 each.

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IMPRINT subscription

Join the PCA and receive IMPRINT, Australia's only magazine specialising in works on paper.

Advertising

Advertise your product, exhibition or other event in IMPRINT. You will reach up to 4,000 interested readers Australia wide, and the advertising coverage is ongoing. The magazine is distributed to art museums, galleries, educational institutes, libraries, as well as individuals. The reference value of IMPRINT is significant - it has been published and collected since 1966. Advertising in IMPRINT is good value. Download our schedule of advertising rates.

Editorial

If you are planning to submit an article or news to IMPRINT please email the editor.

Latest IMPRINT news

 

Original versus reproduction

Stuart Purves has written a great article about why definitions matter in printmaking. The article appeared in IMPRINT Magazine Volume 41 Number 1, which you can purchase from the IMPRINT page.
Australia is incredibly rich in high quality print workshops and remarkably good master printmakers. Australia is also incredibly rich in artists who are brilliant printmakers. Strangely though, printmaking as an original form of art is still a largely misunderstood medium. I wish I could take away the word ‘print’ — it is too much associated with calendar top reproductions, it is too generic. Instead I favour substituting the specific...
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