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November 2016

Panoply

November 12, 2016 - December 3, 2016
Metropolis Gallery,
64 Ryrie Street
Geelong, VIC 3220 AUSTRALIA

Panoply is a collection of printmaking by 40 eclectic Australian artists. This exhibition showcases the diverse concepts explored through contemporary print media and the extensive range of techniques utilised skillfully by emerging and established practitioners. Curated by Rona Green.

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As far as the eye can see: Australian landscapes by Australian printmakers

November 12, 2016 - January 22, 2017
Blue Mountains Cultural Centre,
30 Parke Street
Katoomba, NSW 2780 AUSTRALIA

As far as the eye can see presents Australian printmakers whose practice includes investigations into their local landscapes. It also celebrates the breadth and depth of printmaking practice in Australia today. Australian printmaking is flourishing as can be seen by the quality and diversity of the prints in this exhibition, which brings together a small sample of what is currently being produced. Curated by Rilka Oakley.

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East Coast Encounter

November 19, 2016 - January 21, 2017
Caboolture Regional Art Gallery,
United States

Linocuts by Arone Meeks.

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Botanica

November 21, 2016 - December 24, 2016
National Wine Centre,
United States

Prints by contemporary Adelaide artists responding to the Botanic Gardens and/or notions of botanica. Exhibited in the upper gallery of the National Wine Centre, overlooking the Botanic Gardens and near the Museum for Economic Botany and the Schomburg Pavilion. Curated by Simone Tippett.

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Copperplate Master class and exhibition Biennial 2016

November 25, 2016 - November 27, 2016
Gold Street Studios,
700 James Lane
East Trentham, VIC AUSTRALIA

Photogravure is a combination of photography and printmaking, and intersects science, art and craft. It is attracting a new wave of photographers and printmakers.The workshop in traditional copper plate photogravure will be taught by Ellie Young and Dianne Longley and will complement the Photogravure Biennial exhibition.

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Impact

November 28, 2016 - December 11, 2016
The Artery,
224 Timor St
Warrnambool, VIC 3280 AUSTRALIA

Impact is an exhibition showing regional south west Victorian printmakers in conversation about our environment. Artists include: Marion Manifold, Des Bunyan, Sue Ferrari, Ben Fennessy, Andrea Radley, Jean Gleeson, Jodie Honan, Ruby Richardson, Delia Crabbe and Barb Guille.

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December 2016

Commissioned Prints

December 1, 2016 - January 31, 2017
Art Gallery of Ballarat,
40 Lydiard Street North
Ballarat, VIC 3350 AUSTRALIA

An exhibition of prints from the Gallery’s collection that were originally commissioned for the members of the Print Collectors Club in England (1922-1972) as well as prints for the members and patrons in the first decade of the PCA (1967-1977). Curated by Anne Rowland.

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A Covenant with the Animals

December 2, 2016 - January 29, 2017
Murray Bridge Regional Gallery,
Murray Bridge, SA 5253 AUSTRALIA
Year of Print

A Covenant with the Animals is an exhibition by seven artists about animals, their situation today and issues of extinction, protection and advocacy. Curated by Stephanie Radok and Sandra Starkey Simon.

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Copier Jam!

December 9, 2016 - January 29, 2017
Artspace Mackay,
Gordon Street
MACKAY, QLD 4740 AUSTRALIA
#pcayop16, Year of Print, PCA Year of Print, Year of Print 2016, Print Council of Australia

Copier Jam! is an exhibition showcasing current zine and independent comic creators, collectives and distributors from across Australia. The exhibition includes the publications alongside original art, layout pages, workings and even a vending machine that distributes zines. Curator Jeremy Staples has been a bedroom publisher since 2001, creating music and arts zine Bizoo and  is also the co-founder of the Zine and Independent Comic Symposium held in Brisbane.

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January 2017

Under Pressure – Yvonne Moloney-Law at Cooroy Butter Factory

January 18 - February 19
The Butter Factory,
11A Maple St
Cooroy, QLD 4563 Australia
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Under Pressure – Significance in Surface, Yvonne Moloney-Law The exhibition is a pictorial journey of experimental mark making that exploits media and surfaces that form the contemporary printmaking practice of Yvonne Moloney-Law. Mixed media works and large scale intaglio prints reference the geography of Capricornia, the Tarkine and Arthur River regions of Tasmania as well as the water catchment areas of the Glasshouse Mountains of the Sunshine Coast. Each resembles a cartographic map superimposed with layers of meaning influenced by…

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